NASA Headquarters Could Soon Name a Street in Honor of the Women Who Inspired Hidden Figures

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These three Black women changed the course of history.

Before Margot Lee Shetterley’s book led to the making of the blockbuster 2016 film of the same name, Hidden Figures, very few people knew of three groundbreaking Black female mathematicians who helped send John Glenn into space in 1962. But soon, a street sign could be named in honor of 100-year-old Katherine Johnson and her colleagues, the late Dorothy Vaughan and Mary W. Jackson.

Yes, the scientific contributions this trio left on the National Aeronautics and Space Administration (NASA) between the ’40s and ’60s is documented in Hollywood film. However, a Washington, D.C. Council voted unanimously this week to make sure they have the opportunity to be permanently etched into the city’s infrastructure. The council approved the Hidden Figures Way Designation Act of 2018, selecting a street that’s located outside of NASA Headquarters to be named Hidden Figures Way.

As expected, the name is derived from both the book and the film, which stars Taraji P. Henson, Octavia Spencer, and Janelle Monáe. Chairman Phil Mendelson introduced the legislation in September “to honor the historic women scientist and mathematicians who contributed to NASA’s mission.”

“Despite facing segregation and adversity, these women computers played an integral role in the development of aeronautical and aerospace research during turning points in our nation’s history, including World War II and the development of the Space Task Force,” Mendelsen said, according to NBC Washington.

The mission Mendelson is referencing is the Space Race competition, which took place between 1957 and 1975. During that time, different nations competed against each other to send astronauts into space. Johnson, Vaughan, and Jackson were part of the team who helped Glenn become the first American to orbit Earth, but they were still overlooked, ignored, and demeaned as depicted in the film and book.

Now that the bill received preliminary approval this week, the act will have to be reviewed in the upcoming weeks and voted on for a second time. Upon acquiring the appropriate number of votes, D.C. Mayor Muriel Bowser will sign the bill, ensuring the trio will always be remembered for their historic achievements.

Continue onto The Oprah Magazine to read the complete article.

African American Fashion at the Academy Awards

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By: Darralynn Hutson

Leading the trend of African American fashion firsts at the Academy Awards was Billy Porter. The star of the new FX series Pose, has made a name for himself as a carpet stunner this season.

At this year’s Academy Awards Porter wore a custom Christian Siriano creation of a black velvet Couture dress masterpiece.

African American fashion at this year’s Academy Awards was a win all the way to the Oscars podium.

Best Supporting Actress winner, Regina King channeled classic Hollywood glamor in her Oscar de la Renta gown.

Mahershala Ali walked the red carpet as a nominee and left an Oscar Winner! The best supporting actor worked with his longtime stylist Van Van Alonso, ahead of the award show for a standout look.

Oscar winner Spike Lee stood out in a purple Ozwald Boateng suit. The “BlacKkKlansman” director dawned a pair of custom gold Air Jordans. He mentioned his outfit was a tribute to African American fashion icon Prince.

Velvet was the fabric of choice for many actors this awards season. It came in all shades ranging from blood red, pale pink, and several other bold colors in between.

Stephen James, lead actor in “If Beale Street Could Talk,” wore an eye-catching blood red velvet Etro suit with a red silk bow tie.

Black Panther star Michael B. Jordan, was a royal revelation in his deep blue velvet jacket.

Congratulations to all of this years African American Fashion trendsetters!

Darius Rucker to Receive to Receive Humanitarian Award at Music Biz 2019

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Darius Rucker

The Music Business Association (Music Biz) will present three-time GRAMMY Award-winning artist Darius Rucker with its Harry Chapin Memorial Humanitarian Award during the Music Biz 2019 Awards & Hall of Fame Dinner on Tuesday, May 7.

Rucker is being celebrated for his lifelong philanthropic efforts that include exemplary and heartfelt work on behalf of children at the JW Marriott Nashville Hotel at 7:30 PM.

“Through his tireless efforts to support the youth community of Charleston, not to mention the millions of dollars he has helped raise for St. Jude Children’s Research Hospital, Darius has beautifully honored the legacy of our Humanitarian Award’s namesake, Harry Chapin,” said Music Biz President James Donio. “We truly feel that Harry would be proud to see how Darius has used his platform and resources to benefit those among us in need. We are delighted to recognize him for all he has contributed.”

For years, Rucker has been a continuous supporter of the MUSC Children’s Hospital in his hometown of Charleston, South Carolina. Since 2010, his annual Darius & Friends benefit concert and golf tournament has raised millions of dollars for St. Jude Children’s Research Hospital. Through the Hootie & the Blowfish Foundation, Rucker and his bandmates have raised funds for over 200 charitable causes that support public education and junior golf programs in South Carolina.

At the annual Darius & Friends benefit concert and golf tournament, Rucker performs and plays alongside some of his famous friends in order to raise money for children who are battling cancer. Previous years have seen participation from stars such as Luke Bryan, Luke Combs, Charles Kelley of Lady Antebellum, Brad Paisley, and Kenny Rogers.

The annual “Monday After the Masters” (MAM) golf tournament brings together golf pros, celebrities, and their friends to raise money for the Hootie & the Blowfish Foundation and the South Carolina Junior Golf Foundation, among others. One of the top-rated junior golf organizations in the country, the mission of the SC Junior Golf Foundation is to teach kids honor, sportsmanship, and character through the game of golf.

Every fall, the Hootie & the Blowfish Foundation hosts Hootie’s Homegrown Roundup, an event designed to assist underprivileged children in the Charleston County School District. Through the Roundup, kids receive free annual eye exams, dental exams, new shoes, haircuts, and a backpack full of school supplies to help them prepare for the school year.

Rucker first rose to stardom as the lead singer and rhythm guitarist of Hootie & the Blowfish, the GRAMMY Award-winning band behind chart-topping hits such as “Hold My Hand” and “Let Her Cry.” The band’s debut album, Cracked Rear View, went platinum 21 times, and the band has charted 16 singles to date. The group is set to return to full-time touring in 2019 as they embark on the 44-city Group Therapy Tour, which will be accompanied by the release of their first studio album since 2005.

During that time, Rucker embarked on a wildly successful solo Country music career that has sparked five albums and nine number one singles on Country radio. His cover of Old Crow Medicine Show’s “Wagon Wheel,” released in 2013 on his third solo Country album, True Believers, earned Rucker his third GRAMMY Award. In 2018, Rucker won the Gary Haber Lifting Lives Award from the Academy of Country Music, celebrating his devotion to improving lives through the power of music.

Since its inception in 1981, the Harry Chapin Memorial Humanitarian Award has celebrated the legacy of Folk-Rock singer-songwriter Harry Chapin, whose philanthropic work to end world hunger earned him the Congressional Gold Medal. In 1977, Chapin helped create the Presidential Commission on World Hunger. He also co-founded the charitable organization World Hunger Year to which he donated all of the proceeds from merchandise sales at his concerts. The writer of the #1 hit “Cat’s in the Cradle,” top 40 singles “Taxi,” “W*O*L*D,” and “Sequel,” Chapin scored a gold album with 1974’s Verities & Balderdash. Previous recipients of the Harry Chapin Memorial Humanitarian Award have included Martina McBride, Dee Snider, Melissa Etheridge, Annie Lennox, Jackson Browne, Norman Lear, and Bonnie Raitt, as well as Rock The Vote, Hands Across America and the T.J. Martell Foundation.

Music Biz 2019 will return to Nashville May 5-8 at the elegant JW Marriott in the heart of downtown Nashville. The music industry’s premier event, Music Biz offers a platform for the commerce, content, and creative sectors to network, get on the cutting edge of the latest trends, and meet with trading partners. Announced thus far, Bebe Rexha and Kane Brown will receive Breakthrough Artist Awards, Sony Music Nashville Chairman and CEO Randy Goodman will receive the Presidential Award for Outstanding Executive Achievement, Record Archive owners Richard Storms and Alayna Alderman will accept the Independent Spirit Award, and The Orchard Co-Founder Richard Gottehrer will receive the Outstanding Achievement Award. The Awards & Hall of Fame Dinner event is sponsored by BuzzAngle Music, City National Bank, Cracker Barrel, Jammber, and TiVo. Attendees can also look forward to keynote presentations from influential industry trailblazers including Apple Music’s Zane Lowe, RIAA Chairman and CEO Mitch Glazier, and CEO of Def Jam Recordings Paul Rosenberg.

More program and awards announcements will be made in the coming weeks. For the most up-to-date conference information, visit musicbiz2019.com.

To register for the 2019 event, go to musicbiz2019.eventbrite.com. Early bird rates are available through March 22, 2019.

For press registration for Music Biz 2019, please go to music-biz-2019-editorial-press-registration/.

About Darius Rucker

Darius Rucker first attained multi-Platinum status in the music industry as the lead singer and rhythm guitarist of GRAMMY Award-winning Hootie & the Blowfish. Since releasing his first country album in 2008, he has celebrated four summits to the top the Billboard Country albums chart and earned a whole new legion of fans. In 2014, Rucker won his third career GRAMMY Award for Best Solo Country Performance for his 4x Platinum-selling cover of Old Crow Medicine Show’s “Wagon Wheel,” the No. 1 single off his album True Believers.

Rucker’s first two Country albums, Learn To Live and Charleston, SC 1966, produced five No. 1 singles including “Come Back Song,” “This,” “Alright,” “It Won’t Be Like This For Long” and “Don’t Think I Don’t Think About It.” Southern Style, his fourth studio Country album, features his seventh No. 1 single, “Homegrown Honey.”

Rucker’s latest album on Capitol Records Nashville, When Was The Last Time, features “If I Told You” and “For the First Time,” his eighth and ninth No. 1s on Country radio, as well as his latest single “Straight To Hell,” a reimagining of the Drivin’ N Cryin’ classic featuring Jason Aldean, Luke Bryan and Lady Antebellum’s Charles Kelley.

Rucker recently wrapped the co-headlining Summer Plays On Tour with Lady Antebellum as well as a sold-out headlining U.K. run and will hit the road with his Hootie & the Blowfish bandmates for the Group Therapy Tour in 2019 as they celebrate the 25th anniversary of mega-hit Cracked Rear View as well as a forthcoming new album. For more information, visit www.dariusrucker.com and follow on social media @DariusRucker.

About the Music Business Association

The Music Business Association (Music Biz) is a membership organization that advances and promotes music commerce – a community committed to the full spectrum of monetization models in the industry. It provides common ground by offering thought leadership, resources, and unparalleled networking opportunities, all geared to the specific needs of its membership. Music Biz brings a unique perspective and valuable insight into the trends and changes that innovation brings. Today, we put our collective experience to work across all delivery models: physical, digital, mobile, and more. Music Biz and its members are committed to building the future of music commerce – together.

Prada Enlists Ava DuVernay To Help Take Steps Toward Correcting Diversity Issues

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With Katy Perry’s shoe brand becoming the latest fashion company to make a racially insensitive design misstep, it’s been announced that Prada is taking the initiative to combat such issues.

After reeling from its own design debacle last year—having to remove blackface iterations of ‘monkeyesque’ handbag accessories—the Italian luxury design label helmed by Miuccia Prada has announced that it’s enlisting ESSENCE cover girl and award-winning filmmaker Ava DuVernay and renowned artist and activist Theaster Gates to lead its charge toward global inclusivity and diversity, aimed particularly at the Black community.

In a statement via its Twitter page, the brand says:

“Prada announces artist and activist, Theaster Gates, and film director and producer Ava DuVernay, will co-chair the Prada Diversity and Inclusion Advisory Council to elevate voices of color within the company and the fashion industry at-large.”

“In addition to amplifying voices of color within the industry, we will help ensure that the fashion world is reflective of the world in which we live, and we are thrilled to be working with longtime collaborators Ava DuVernay and Theaster Gates on this important initiative,” said Miuccia Prada.

For the complete article, continue on to Essence.

Tyra Banks Will Open Supermodel-Themed Amusement Park, ‘ModelLand’

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Get ready to “smize”…

OG supermodel Tyra Banks recently announced that later this year she will be expanding her modeling brand with a new project called ModelLand — and it’s not at all what you think. Unless you thought it was a theme park, in that case, you were right on the money!

“I’ve always been insanely inspired by attractions like Disneyland and Universal Studios and have wanted to bring that spirit of adventure and storytelling to the world of modeling,” Tyra shared with Variety. “But not the exclusive modeling industry. I’m talking about modeling for the masses.”

The 45-year-old recently announced on Instagram that she has been working on a fantasy version of the modeling world for the past 10 years and that she’s extremely excited to share it with the world.

“My dream for you will soon be a reality. #ModelLand. A place where everyone can be a model,” she posted on Instagram. “A place where all beauty is celebrated. I can’t wait for you to Step Into Your Light. Head over to Model-Land.com to sign up for more information. Link in bio. #ModelLand @modelland.”

The first-of-its-kind experiential attraction is set to be open late 2019 housed in Macerich’s Santa Monica Place, the iconic multi-level 21,000 sq. ft. open-air shopping, dining and entertainment destination just blocks from the beach in Santa Monica.

For the complete article, continue on to BET.

Brian Flores Ready To Join Dolphins’ All-Black Leadership Team

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Not sure if the NFL has ever had a minority head coach from Brownsville, Brooklyn, but New England Patriots defensive play-caller Brian Flores will fit that mold when he assumes the head coaching position with the Miami Dolphins.

Flores is a living example that the American Dream is still very much alive.

Once highly-touted defensive coordinator Matt Patricia left to become head coach of the Detroit Lions after the Patriots lost to Philadelphia in the Super Bowl, Flores was awarded the defensive play-calling responsibilities in addition to his job as linebackers coach. He had huge shoes to fill.

On Sunday, Flores, the son of immigrant parents from Honduras, had the kind of slam dunk final interview that a hunch could never satisfy.

“You don’t get to be defensive signal caller under Bill Belichick unless you know your stuff,” NFL sideline announcer Tracy Wolfson said in a flattering appraisal of Flores’ efforts during the Patriots’ 41-28 thrashing of the LA Chargers in Sunday’s AFC Divisional Playoff game.

The Patriots defense stifled the No. 6 scoring offense in the league behind a variety of blitz packages and defensive alignments. Now Flores and the Patriots will look to suppress the Chiefs offense, who finished No. 1 in the league in 2018.

Dolphins owner Steve Ross and general manager Chris Grier have seen enough. They intend to offer their vacant head coaching position to Brooklyn native.

Despite the owners’ whitewashing of the NFL head coaching ranks, the Dolphins seem to be on a progressive plane of their own. Miami would be the only NFL team to have a black/Hispanic coach, black general manager and assistant GM. Grier will remain the GM next season and Miami just hired former Buffalo Bills scout Marvin Allen to assist him.

For the complete article, continue on to The Shadow League.

The Breakthrough: How Jackie Robinson Proved He Belonged

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Fifty years ago, over fourteen games in May, Jackie Robinson erased any doubt that he belonged in the majors, clearing the path for other black players.

In the middle of the cool, drizzly afternoon of Sunday, May 25, 1947, as the Brooklyn Dodgers led the Philadelphia Phillies 4–3 in the eighth inning, Jackie Robinson ground his spikes into the rain-softened dirt of the batter’s box at Ebbets Field, turned to face Phillies reliever Tommy Hughes and waited for Hughes’s 3-and-1 cripple.

Forty days had passed since Robinson donned a Dodgers uniform and became the first black man in this century to play in the majors, going 0 for 3 in his debut at Ebbets on April 15. In recent games the 28-year-old rookie had begun to evince signs of settling down and playing the crisp, commanding brand of ball that Branch Rickey, the Dodgers’ president, had predicted of him. “You haven’t seen the real Robinson yet,” Rickey had been telling writers all spring. “Just wait.”

Through his first 30 big league games, played in six National League cities, the rookie had alternately struggled and soared, at times performing brilliantly at first base (a position new to him that year) but often pressing at the plate. Of course, Robinson had also been the target of racial epithets and flying cleats, of hate letters and death threats, of pitchers throwing at his head and legs, and catchers spitting on his shoes. In the midst of all this bristling animus, there was a circuslike quality to Dodgers games, with Robinson on display like a freak; with large crowds, including many blacks, lustily cheering even his dinkiest pop-ups; and with the daily papers singling him out as the “black meteor,” the “sepia speedster,” the “stellar Negro,” the “muscular Negro,” the “lithe Negro” and “dusky Robbie.”

“More eyes were on Jackie than on any rookie who ever played,” recalls Rex Barney, a Brooklyn reliever that year. It was a wonder, as he endured the mounting pressure of his first weeks in the bigs, that Robinson could perform at all. Yet perform he did, putting together a 14-game hitting streak in the first 2 1/2 weeks of May. By May 25, with the first extended road trip behind him and the novelty of his presence on the wane, Robinson was sensing what he later called a “new confidence” in his game. As he took the field that day against the Phillies—who, led by their Southern-born manager, Ben Chapman, had lacerated him with taunts of “nigger” and “black boy” from the dugout during their first series in April—Robinson had begun to feel, as he would put it, “some of the old power returning.”

In the fourth inning, with the Dodgers down 2–0 and their shortstop, Pee Wee Reese, on first, Robinson lashed a single to right center off Phillies starter Dick Mauney. Moments later Reese and Robinson raced home when Dodgers centerfielder Pistol Pete Reiser crashed a double off the left-centerfield wall. Two innings after that, with Reese again on first and Hughes now pitching, Robinson reached for a fastball and lined a single to left. Reese later scored when Hughes balked him home from third.

Having been at the center of the rallies that gave Brooklyn that tenuous one-run lead in the eighth, Robinson now dug in against Hughes and worked the count to 3 and 1. Hughes delivered a fastball high in the strike zone, fat as a melon, and Robinson turned all his 195 pounds into it, striking the ball harder than he had struck one all spring. Dick Young, the Dodgers’ beat reporter for the New York Daily News, mixed jazz with golf in search of a simile to describe the blast, rhapsodizing that the ball left home plate “like something out of Louis Armstrong’s trumpet. It started on a low line, took off suddenly like a golf drive and zoomed far back into the lower leftfield deck.”

The Dodgers won 5–3, and contemporary accounts viewed the game as Robinson’s breakthrough in that young season, fulfilling Rickey’s prophesy that when the real Robinson at last arrived, he would be worth all the waiting. No one on that afternoon in May appeared more relieved than Burt Shotton, the Dodgers’ manager. “He has finally become relaxed and is playing the kind of ball that earned him his major league chance,” Shotton said. “Until today we just couldn’t get him to take a normal cut at the cripples they were getting him out on. Time after time we gave him signals to hit the 3-and-1 pitch, but very often he didn’t even swing. Guess he had too much on his mind.”

Despite all he had on his mind, despite all he had endured during the early days of that long season, it had grown clear by mid-May that Robinson, even a struggling Robinson, was in the Brooklyn lineup to stay. “The guy just had too much talent,” says Reese, “and too much guts.” Indeed, Robinson had won over teammates and opponents alike during his 14-game hitting streak, which was all the more impressive because it was a direct response to a horrible slump that would have finished lesser men in his situation.

Continue onto Sports Illustrated to read the complete article.

Gladys Knight will sing the national anthem at Super Bowl LIII

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Gladys Knight, the “Empress of Soul” and an Atlanta native, will sing the national anthem preceding Super Bowl LIII on Feb. 3 in the city’s Mercedes-Benz Stadium.

“I am proud to use my voice to unite and represent our country in my hometown of Atlanta,” Knight said in a statement released by the NFL. “The NFL recently announced their new social justice platform ‘Inspire Change,’ and I am honored to be a part of its inaugural year.”

Inspire Change, according to the league, is designed to showcase the community work being done by players, owners and the league.

Knight has won seven Grammy awards and is a member of the Rock and Roll Hall of Fame, with No. 1 singles “Midnight Train to Georgia” and “That’s What Friends Are For,” and her 11 No. 1 R&B singles, including “I Heard It Through the Grapevine.”

Continue on to Washington Post to read the complete article.

Taraji P. Henson to be honoured with star on the Hollywood Walk Of Fame

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Taraji P. Henson will be honoured with a star on the Hollywood Walk Of Fame.

The Oscar-nominated American actress and singer, 48, is known for starring in films including The Curious Case Of Benjamin Button, Date Night and the 2010 remake of The Karate Kid.

Henson, who also has an extensive career in television, will be honoured in the category of motion pictures with a star on Hollywood Boulevard.

Ana Martinez, producer of the Walk Of Fame, said: “Taraji P Henson is a powerful woman and a powerful actress.  She is an entertainer that fans cannot take their eyes off of due to her great acting ability.

“We welcome her bright star on our Walk Of Fame.”

Boyz In The Hood director John Singleton and rapper Mary J Blige will speak at the ceremony, which is due to take place on January 28.

Washington DC-born Henson began her Hollywood career working as an extra in television shows before getting her big break in the 2001 comedy-drama film Baby Boy, starring alongside Tyrese Gibson.

In 2008 she starred opposite Brad Pitt in David Fincher’s The Curious Case Of Benjamin Button, playing the mother of a disabled child.

Henson was nominated for an Academy Award for best supporting actress for the role. Last year she voiced a character in Disney’s animated film Ralph Breaks The Internet and will appear in comedy What Men Want in February.

Continue onto The Independent to read the complete article.

Louisville International Airport To Be Renamed For Muhammad Ali

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The city where the legendary boxer and humanitarian grew up is proud to honor him, Mayor Greg Fischer said.

Legendary sports figure Muhammad Ali is being honored by his Kentucky home town.

On Wednesday, officials announced that Louisville International Airport will be renamed after the late boxer and humanitarian.

The new name will be Louisville Muhammad Ali International Airport, although the current three-letter code ― SDF ― will stay the same, according to the Courier-Journal.

Louisville Mayor Greg Fischer said the name change reflects the city’s pride in a local son who has “left a legacy of athleticism, of humanitarianism that has literally inspired billions of people.”

Although the airport is already planning to spend $100,000 to promote the new name, it’s not totally set in stone: The change first needs to be approved by the Federal Aviation Administration, according to local station WDRB TV.

WDRB TV reported that a related deal also needs to be finalized with an Ali family entity. But his boxer’s widow, Lonnie Ali, seems to be onboard, judging from this statement released to the press:

I am proud that the Louisville Regional Airport Authority and the City of Louisville are supportive of changing the name of the Louisville International Airport to reflect Muhammad’s impact on the city and his love for his hometown.

I am happy that visitors from far and wide who travel to Louisville will have another touch point to Muhammad and be reminded of his open and inclusive nature, which is reflective of our city. Muhammad was a global citizen, but he never forgot the city that gave him his start. It is a fitting testament to his legacy.

Ali died in 2016 after a long battle with Parkinson’s syndrome. He was 74.

Not only was he the first boxer to win the world heavyweight title three times, but Time magazine once described him as the “best-known person on the planet.”

Continue onto the Huffington Post to read the complete article.

NBCBLK launches Black History Month Series: ‘She Thrives’

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She Thrives Series

This February 2019, in celebration of Black History Month, NBCBLK, the African-American news vertical of NBC News Digital, presents a month-long special feature recognizing the accomplishments, power and prowess of black women.

The series, “She Thrives: Black Women Making History Today,” will highlight 10 amazing women you should know from a variety of generations, occupations and regions. These women are leaders in their communities and truly elevating the conversation around black identity, politics and culture.

NBCBLK would love to obtain submissions and suggestions. Once submissions are compiled, editorial members throughout NBC News’ broadcast and digital platforms will make the final selections.

How it works:

Tell us in the form provided how the woman you wish to nominate is breaking barriers and dismantling stereotypes about what it means to be a Black Woman in America today. Include a link, if relevant.

Selection criteria:

• Honorees are black women who are exceptional, gifted leaders in their industry and profession.

• These women are breaking barriers and smashing stereotypes about the black community/diaspora- redefining what it means to be Black in America.

Continue onto NBCBLK to read the complete article and complete the form.

Golden Globes 2019: Regina King Vows Her Future Projects Will Have Full Gender Parity

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At this year’s Golden Globes, Regina King used her acceptance speech to make a solemn career promise.

Moving forward, the actress declared that all future projects she produces will be fully gender equal, employing 50 percent women.

“I’m going to use my platform,” she said, as she accepted a supporting-actress award for her performance in If Beale Street Could Talk. “Anyone out there . . . not just in our industry, in all industries—I challenge you to challenge yourselves, and stand with us in solidarity and do the same.”

Her declarations echo Frances McDormand’s 2018 Oscars acceptance speech, in which the best actress promoted inclusion riders—contractual obligations that ensure films have some form of diversity and parity behind the scenes. Her speech, in turn, inspired numerous industry figures to embrace riders in their projects moving forward, including actor Michael B. Jordan.

King, who was a double nominee at the Globes, began her speech by thanking her team, film studio Annapurna, and director Barry Jenkins. “I love you with all my heart,” she told the director. “Thank you for your empathy. Thank you for telling stories so rich.”

The actress also thanked the James Baldwin estate, who gave Jenkins permission to adapt the author’s 1974 novel into a film. King then spoke about the importance of celebrities using their spotlight to speak about important issues—which is about the time she started getting played off by the orchestra.

Continue on to Vanity Fair to read the complete article.

50th NAACP Image Awards To Air Live on TV ONE March 30, 2019

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The 50th NAACP Image Awards will air LIVE on TV One, a division of Urban One, Inc., on March 30, 2019. For the first time ever, the telecast will take place from the Dolby Theatre in Hollywood, California.

The announcement was made by NAACP National Board of Directors Chairman Leon W. Russell, NAACP President and CEO Derrick Johnson, Chief Executive Officer, Urban One, Inc. & Chairman/CEO, TV One Alfred Liggins and TV One General Manager Michelle Rice.

The NAACP Image Awards celebrates the accomplishment of people of color in the fields of television, music, literature, and film and also honors individuals or groups who promote social justice through creative endeavors. The upcoming telecast, the 50th Anniversary of the NAACP Image Awards, will also spotlight the significant contributions of the NAACP and the impact the organization has had on our community and country.

In addition to the live telecast, TV One will also air special programming honoring this year’s nominees and spotlighting significant moments. The network will provide promotional support for both programs on TV One, Radio One and Reach Media, Interactive One, and via a multi-platform marketing campaign.

“The 50th Anniversary of the Image Awards represents a major milestone in bringing visibility to the outstanding achievements of African Americans in entertainment, literature, and arts, as well as the NAACP’s ongoing advocacy for equality of opportunity in our society without regard for race,” said the NAACP’s Derrick Johnson. “We are sincerely grateful for our continued partnership with TV One and look forward to working with them on the 50th-anniversary show, added Johnson.

“We are honored to continue our partnership with the NAACP to remain the television home for the Image Awards,” said Liggins of TV One. “The NAACP 50th Anniversary Image Awards is an important milestone for the African American community and we couldn’t be more thrilled to offer this special programming once again to our viewers. As we prepare to celebrate the network’s 15th anniversary next year, we look forward to this very special night.”

“African Americans have had a tremendous impact on society and culture, a fact that we’re excited to celebrate with the telecast of the 50th NAACP Image Awards on TV One,” said Michelle Rice, General Manager. “As we honor this year’s biggest achievements and the incredible 50 year legacy of the NAACP Image Awards, we’re proud to continue the network’s mission to represent the richness of the Black experience.”

The multi-cultural show is one of the most respected events of its kind and is well attended by many of the top names in the entertainment industry. Airing on MLK day last year, the 49th NAACP Image Awards posted strong year-over-year growth across most demos: Households (+15%), P25-54 (+21%), P18-49 (+44%), W18-49 (+20%), and Total Viewers 2+ (+10%). And, for the night, the special was a Top 5 Cable Telecast among African Americans (Households, AA W25-54, and AA P2+). Additionally, the show has reached 2.4 Million Total Unique Viewers 2+ since airing in January 2018.

Continue on to NAACP.org to read the complete article.

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